hyphen hysteria

From "'New Art City': Abstract Expressionism and Its Aftermath" by Jed Perl, a book review by John Updike in the October 16th New York Times:

In his commendable desire to stretch the language of visual perception and philosophical understanding, Perl coins compound adjectives as if hyphens were snowing upon his word processor. We have: "the individual's at-an-angle relationship with society," "go-with-the-flow neighbors," "an increasingly knit-together, everything-is-one-thing, homogenous character," "knock-you-in-your-teeth actualities," "the wacky-bleak fascination of a play by Samuel Beckett," "this everything-becoming-something-else moment," "more-than-material yet grounded in the materials of art," "the whatever-happens-happens nihilism," "Ashbery's go-with-what-amuses-you attitude," and "the stark, nobody-knows-you-when-you're-down-and-out decrepitude." Some of these Germanic compounds, like "at-an-angle" and "go-with-the-flow," are handy enough to be used more than once, but they are, along with stretch adverbs like "amazingly," "infinitely" and "immensely," and such tenuous concepts as "everydayness," "brownishness" and an "ordinariness" that "melts into the silveriness of the images," symptomatic of the stresses placed on the vocabulary of those who would write about art.

Ha ha! I love it. The do-as-you-please willy-nilly new style of writing.